portr(ai)ts

A series of logos, same structure, different details/materiality

We wandered an untold world, where the real meets the unreal.

Shots from the 80s look the way they do because they were shot on film stock with natural grain, used lenses with softer contrast, relied on practical lighting, and had minimal digital color grading. Effects were mostly optical or practical, and the overall color tone came from the film and printing process, not heavy post-production.

"Driven by a fascination with the forces that shape nature’s stillness and motion, we created AI-generated portraits, each meticulously crafted to reflect our vision."